1900—1999
I knew it seemed impossible to me to write in the traditional forms. They seemed to have no access to what we experienced. If we enclosed that in characters, personalities, a plot, we were overlooking everything that our senses were perceiving, which is what interested me. One had to take hold of the instant, by enlarging it, developing it. That’s what I tried to do in Tropisms.
I knew it seemed impossible to me to write in the traditional forms. They seemed to have no access to what we experienced. If we enclosed that in characters, personalities, a plot, we were overlooking everything that our senses were perceiving, which is what interested me. One had to take hold of the instant, by enlarging it, developing it. That’s what I tried to do in Tropisms.
- Tropismes
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Portrait d’un inconnu
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Martereau
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L'Ère du soupçon
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Le Planetarium
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Les Fruits d'or
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Le Silence
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Le Mensonge
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Entre la vie et la mort
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Isma, ou ce qui s’appelle rien
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Vous les entendez ?
- C’est beau
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«disent les imbéciles»
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Elle est là
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L’Usage de la parole
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Pour un oui ou pour un non
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Enfance
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Tu ne t’aimes pas
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Ici
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Ouvrez
- Lecture